The upshot: I struggle to imagine a process whereby an obscure English children’s game somehow inspired gestural customs in Georgia, Egypt, Russia, and Iran within less than a century. It seems more reasonable to me that these customs might instead originate in an ancient Mediterranean tradition of apotropaic magic, or charms intended to combat bad luck.
For now, the top hits on Vigloo are a drama, period action and risqué romance: "Miracle of the dirt-poor single mum," "Red Monster: Revenge against the devil," "The flat where tenants must do each other".
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